Nadezda Stupina

Ballerinas

2009

In crafting this piece, I was deeply moved by the serene interplay of humanity and the sea. Employing oil paints, I tapped into the impressionistic soul, capturing the fleeting cares...

In this canvas, I've captured the tranquil essence of the sea's dance with light, employing a symphony of brushstrokes to create a serene atmosphere. I was driven by the compelling c...

In this oil painting, I've captured a tranquil moment on a sunlit balcony. The figure, immersed in thought by a spread of fresh blossoms and fruit, epitomizes serenity. My brushwork ...

In crafting this piece, I channeled raw emotion through impressionistic strokes, using oil to blend reality with a brush of whimsy. It captures a fleeting moment—a dance of light, sh...

In this exuberant acrylic creation, I sought to capture the essence of joyous freedom. The figure stands at the cusp of land and sea, immersed in the dance of wind and waves. Each br...

I channeled my love for the ocean's raw beauty and the innocence of youth into this textured acrylic piece. It captures the mesmerizing dance between light and water, framed by the t...

French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...

George Herbert Buckingham Holland was born in Northampton, the son of a grocer. He studied at Leicester School of Art. He made his living painting portraits of Northampton dignitarie...

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is comparable to those of Jules Herve, Antoine Blanchard and Edouard Cortes. This painting is a wonderful example of his work from the prime of his career. Here you see the artists vendors selling paintings along the view of Notre Dame de Paris, located on the Île de la Cité in the 4th Arrondissement of Paris. People are scattered throughout between the tree lined street. The details are magnificent as Salabet captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The painting comes displayed in original frame with hanging wire and is signed lower left. Art measures 10.75 x 13.75 in Frame measures 16.25 x 19.25 in Jean Salabet was a pseudonym used by the Spanish artist Juan Bayón Salado (1913-1995) in the mid-20th century. Juan Bayón Salado (Jean Salabet) was born in Bilbao Spain on June 24, 1913. He settled in Paris between 1950 and 1969 and when using the pseudonym Jean Salabet between 1950 and 1957 he was mainly selling his works through Mr...

Ernest Fiene depicts Fifth Avenue looking down from 57th Street with an unobstructed view of the Empire State Building. The absence of newer glass and steel architecture gives the painting the charm of old New York. The artist captures a dark, moody blue sky as light bounces back from the clouds. This contrasts with the somewhat haunting yellow glow given to pedestrians and street traffic. The people have somewhat of a zombie quality akin to George Tooker. Best viewed with a top and direct gallery light...

Charming Dutch 1950's oil on canvas painting signed by J. KELDERMAN In a very good general condition . It représents the libertine courtesan working ...

EMILIO GRAU SALA Spanish, 1911 - 1975 ESPAGNOLES, 1971 signed "Grau Sala" (lower left) signed again, dated and titled "Grau Sala, 1971, espagnoles" (on the reverse) oil on canvas 1...